About the Author:
Richard Nagler s work has been featured in the New York Times, Artforum International, the Los Angeles Times, and other publications; shown in museums and galleries around the world; and included in prominent public and private collections. Nagler is respected as an observer with a unique photographic vision as well as a photography collector with a strong sense of history. Word on the Street is his third book of photography. He is represented by George Krevsky Gallery and currently lives in San Francisco. One of America s most respected scholars on the visual arts, Peter Selz is a professor emeritus of art history at the University of California, Berkeley; founding director of the University Art Museum; and chief curator of the Department of Painting and Sculpture at the Museum of Modern Art in New York City. Selz is the author of numerous books on art, artists, and politics, and he is a leading authority on Abstract Expressionism, the Bay Area Figurative School, the New York School, and German Expressionism. Change the way you see people go about their daily affairs Walking the streets with a camera in hand can yield insightful and surprising interpretations of daily life. For thirty years, photographer Richard Nagler has sought out these insights by pairing isolated words found in his environment with random passersby. The results are playful yet profound. Visual poetics is how Allen Ginsberg once characterized Nagler s photographs. Every one of these picture poems brings to my mind a haiku. Drawing on some of the same elements that distinguish the work of Henri Cartier-Bresson, Robert Frank, and Ed Ruscha, Nagler s urban photographs have delighted audiences around the world. Compelling, shocking, amusing, and sensitive, each portrait is a visual pun a wink to the reader and an invitation to create a story to complete the narrative. Some photographs took weeks to realize, capture, and record. Some took milliseconds. Sometimes years go by before Nagler spots a word suitable to become a picture after all, these are in many ways accidental photographs. The magic of his work rests in the serendipitous moment when person and word come together. Word on the Street reveals that we are all part of an amazing artistic mosaic, even as we blithely stroll down the street.
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