"synopsis" may belong to another edition of this title.
"About this title" may belong to another edition of this title.
Shipping:
US$ 3.00
Within U.S.A.
Book Description Hardcover. Condition: new. Brand New Copy. Seller Inventory # BBB_new1597110108
Book Description Hardcover. Condition: new. Buy for Great customer experience. Seller Inventory # GoldenDragon1597110108
Book Description Illustrated Boards. Condition: New. Dust Jacket Condition: New. 1st Edition. Unused pristine first edition bound in illustrated white boards. Dust jacket is unclipped, protected in removable mylar, and also pristine. Robbins' and Becher's color photos resemble travel brochures and postcards as they document situations in which one place strongly resembles another distant one. Traditional notions of place are confused by legacies of colonialism, tourism, and mass communication. Germans dress as native Americans, New York landmarks appear in Las Vegas, and cultures assume the skins of others. 155 pages includes full page color plates and essays by the photographers. The postal charges quoted are for an average-sized book. Due to size and weight of this item, additional postage may be required. Seller Inventory # 2080140249
Book Description Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # think1597110108
Book Description Hardcover. Condition: New. Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards and National Geographic as from the photography of Walker Evans, Edward Curtis and Stephen Shore. Their work, a somewhat surreal nonfiction, uses documentary images to examine contradictions of place and cultural identity: that is, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes, Robbins and Becher are there. In their own words, The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences. Their work posits vital questions for a globalized world and for photography. Seller Inventory # 2530
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 3.1. Seller Inventory # Q-1597110108
Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on title page by Robbins and Becher. Hardcover. Photographically illustrated paper-covered boards with matching dust jacket. Photographs and text by Andrea Robbins and Max Becher. Essays by Maurice Berger and Lucy Lippard. Edited by Lesley A. Martin. Includes a chronology, list of exhibitions, collections, and bibliography. Designed by Francesca Richer. 156 pp., with 118 four-color plates and seven additional illustrations, printed on thick matte paper. 10-3/8 x 12 inches. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards, and National Geographic as from the photography of Walker Evans, Edward Curtis, and Stephen Shore. In doing so, Robbins and Becher produce work that functions as surreal nonfiction, using documentary images to examine contradictions of place and cultural identity. In the words of the artists, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism, and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba, or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' The work posits vital questions for a globalized world: What are the larger implications of 'ideological passing,' when one culture assumes the skin of another? And what role can photography play as a document in context where cultural signification is entirely fluid? Curator and author Maurice Berger examines the work of Robbins and Becher against the background of race and identity, but also of Surrealism. Lucy Lippard discusses the development of the husband-and-wife team's work together, as well as looking specifically at the ideas of location, landscape, and manufactured place. 'Robbins and Becher's choice of subjects is brilliant, edifying, and always unexpected. . . . They seek out the visually varied symptoms of disruption and dislocation, exposing the bizarre manifestations of colonialism and its post-colonial counterpart--global tourism.' -Lucy Lippard" Signed by Author. Seller Inventory # 101772
Book Description Hardcover. Condition: New. New. book. Seller Inventory # D8S0-3-M-1597110108-6