Mark Kermode admits to having changed his mind about some movies and possibly about his approach to reviewing altogether. In this musing on the history of film criticism he tells the stories of famous hatchet jobs and director-journalist spats, wonders whether the democratization of reviewing through the internet will result in better films and asks if the days of the professional critics slating are over.
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About the Author:
Mark Kermode (@KermodeMovie) is resident film critic for BBC Radio 5 live, where he co-hosts the Sony Award-winning Kermode and Mayo's Film Review (@wittertainment). He also co-presents The Film Review on the BBC News Channel, and presents the bi-weekly BBC video blog Kermode Uncut. He is the author of several books on cinema, including The Good, the Bad and the Multiplex: What's Wrong with Modern Movies, and two BFI Modern Classics monographs, on The Exorcist and The Shawshank Redemption. He has written and presented a number of film documentaries for the BBC and Channel 4, including Hell on Earth: The Desecration and Resurrection of The Devils, On the Edge of Blade Runner, Burnt Offering: The Cult of the Wicker Man, and Alien: Evolution. He is a contributing editor to Sight & Sound magazine, and recently became chief film critic for the Observer. He plays bass and harmonica in the skiffle-and-blues band The Dodge Brothers, who regularly perform live musical accompaniment for silent movies such as Beggars of Life and The Ghost that Never Returns. He is a proud member of Bafta. His favourite movies include Mary Poppins, Silent Running and The Exorcist; his least favourite include Sex and the City 2, Pirates of the Caribbean and Exorcist 2.
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- PublisherPicador
- Publication date2013
- ISBN 10 1447230515
- ISBN 13 9781447230519
- BindingHardcover
- Number of pages272
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