Items related to Marked for Life: A Memoir

Davidow, Joie Marked for Life: A Memoir ISBN 13: 9781400047413

Marked for Life: A Memoir - Hardcover

 
9781400047413: Marked for Life: A Memoir
View all copies of this ISBN edition:
 
 
Attractive and successful, Joie Davidow presents a confident face to the world. But her carefully applied makeup conceals a secret she has kept for decades. She was born with a port-wine stain, a purple mark that covers most of the left side of her face, including her eye. Tormented as a child, shunned as a teenager, she thought of herself as deformed and ugly until, in her second year of college, she discovered cosmetics that would allow her to hide the mark on her face. She learned to paint on a mask that made her appear normal, if not downright beautiful. Suddenly she was no longer “the girl with the big purple mark.” Behind the mask she was safe, protected from the astonished eyes and unkind remarks of strangers. Her deception was her freedom, but it was also her imprisonment, a threat that never left her. For most of her life she feared that a hot, humid day, a strong wind, an errant tear, or even a fervent embrace would destroy the face she had so painstakingly created, revealing her shameful secret.

While hiding behind the mask, she became a newspaper editor, then a magazine publisher. She sat front and center at runway shows in Paris, London, Milan, and New York. She was an authority on all things glamorous, appearing frequently on television. But alone at night, she washed her face and saw a disfigured woman in the mirror.

Marked for Life chronicles Joie’s coming of age with a facial difference and a family who tried to deal with the purple mark by denying its existence. It is the story of Joie’s search for a man whose love she could trust despite her marked face, and her passion for the man who loved and accepted her.

It is the story of how she refused to be defined by the stain that disfigured her and how, finally, she came to realize that, despite being “marked for life,” she is really just another face in the crowd, no different from anyone else.

Written with honesty, wit, and a true storyteller’s gift, this book will resonate with all of us who have at times felt that we, too, were secretly marked and somehow different from the rest of the world.

"synopsis" may belong to another edition of this title.

About the Author:
JOIE DAVIDOW cofounded L.A. Weekly and founded L.A. Style and Sí magazines. She edited the anthologies Las Mamis and Las Christmas with Esmeralda Santiago and is the author of Infusions of Healing. She lives in Rome and Los Angeles.
Excerpt. © Reprinted by permission. All rights reserved.:
Miss Grape Juice Face

I was born at the end of the Second World War, at the beginning of what would be called the Baby Boom. My father spent the war as a lieutenant in the Judge Advocate General's Office in Washington, D.C. He came home to practice law in the little New Jersey town where he had been born and raised.

Millville is a factory town, midway between Philadelphia and Atlantic City--not a rural town, neither urban nor suburban, just a small town among other small towns. It's not even a particularly charming town, though it may once have been.

The Maurice River flows through the South Jersey salt marshes on its way to the Delaware, but it slows down to little more than a creek as it passes through Millville. The mill company that gave the town its name dammed the river and, at the turn of the century, excavated part of it to create Union Lake. Two miles wide, it was once touted as the biggest artificial lake in the world, a tourist attraction with an amusement park on its shores. But by the time I was born the park had long been abandoned. The carousel and bandstand were gone, and the scrubby forest had grown back. Local people put up summer shacks and boat docks on land they rented from the mill company. The bottom of the lake was filled with rotting leaves that turned the water a dark rusty color, staining our skin and ruining our bathing suits.

Millville was a white Protestant town, so unabashedly conservative that the local newspaper was the Millville Daily Republican. The town's few Jews were mostly merchants with small shops along High Street. Morris and Bea Friedman had the shoe shop; Maxie Zeitz had the delicatessen. Lou and Faye Miller owned one drugstore; Bailey and Ada Abrahms, the other. The Ackerman family sold furniture. The Kleinmans sold toys. The Levensons sold groceries. There were a couple of Jewish doctors and a couple of lawyers, like Daddy. But no Jews worked in the factories.

In the 1950s, Millville's business district was a single street, High Street, just a few blocks of stores and banks, the post office and the Leroy Movie Theater, where we lined up on Saturdays for the twenty-five-cent Kiddy Matinee. All the stores closed at noon on Wednesdays so that the shopkeepers could make the trip into Philadelphia or New York City to restock their shelves.

My father's law office was on the second floor at the corner of High and Sassafras Streets, in a building that had once housed Davidow's Department Store, the crowning achievement of my grandfather's retail career. We lived only a block away, around two corners. My sisters and I could run back and forth between our house and Daddy's office even before we were old enough to cross the street by ourselves.

During Millville's boom years, at the turn of the century, some of the wealthiest people in town built homes on Second Street, where we lived. Half a century later, the street was just a row of middle-class homes, but remnants of the old architecture remained. Leaded-glass windows looked out onto front porches with lathe-worked posts and railings. Kitchens opened onto backyards neatly divided from the neighbors' by low fences.

Our house was half a double, a two-family structure built like Siamese twins. The two houses shared a common interior wall, and a low railing divided the porch in half. We had one side of the porch; the Brandriffs had the other. Chain-link fences, covered in the summer with honeysuckle vines, separated our little yard from two larger ones. On one side, Old Mister Brandriff grew roses. On the other, Old Man Friedman raised chickens and grew sunflowers.

Out our backyard gate, I take the shortcut across the empty lot. Hopping over mud puddles, I run through the narrow alley, holding my nose as I pass the big garbage bins behind the fish and vegetable market--and I'm on High Street where everybody knows I'm Daddy's daughter, one of the Davidow girls, the one with the purple-marked face.

I spend my allowance on a Three Musketeers bar at Miller's Pharmacy, handing my sweaty fistful of coins over to Faye Miller, who lives two porches away from us on Second Street. Daddy calls Faye Miller Faygeleh, which means little bird. But he never says that to her face, and I'm not supposed to say it, either.

Next to Miller's Pharmacy, I visit Friedman's Shoe Store, so I can put my feet into the machine that shows my bones. Morris and Bea Friedman live in an apartment over his father's house, next door to ours. Daddy calls Morris Friedman "the Chinaman" because his face is round and his eyes are slanty and his hair is black and shiny like patent leather shoes. His wife, Bea, dyes her long, curly hair bright red. She wears tight dresses and high-heeled shoes, even when she's working in the shoe store or doing the laundry. Whenever he sees Bea Friedman climbing the wooden stairs to her apartment, Daddy says, "There goes the tschotschkeleh." I don't know what it means, but he never calls her that when she can hear him.

On High Street, I'm safe--unless I run into a stranger, who might stare or ask questions about my face. I duck behind Mommy's skirt when she tries to introduce me. "Come on, Joie, can't you say hello to Ruthie's grandmother?" I look at Ruthie's grandmother sideways, showing her my good cheek, hiding the place where the angel touched me. I keep the birthmark cheek pressed against Mommy's knee, but Ruthie's grandmother probably sees it anyway.

Across Second Street, two massive nineteenth-century churches towered over us, their steeples thrust into the sky like arms raised in triumph. The brick First Methodist commanded one corner and the equally impressive gray stone First Presbyterian the other. Although we were Jewish, Mommy sent me to the Presbyterian nursery school, in that imposing bastion of white Protestant culture just across the street from our house, convenience trumping religious affiliation.

Westminster Day School was presided over by a very thin, very wrinkled, very white widow named Mrs. Shaw. A dozen four-year-old children assembled each morning at the grand porte cochere of the Presbyterian Church. In the colder months, we shivered under the covered walkway, holding tightly to our mothers' hands until Mrs. Shaw rang the opening bell. But in the morning sunlight of April and May, we raced around the little garden, running and dancing, shrieking under the flowering dogwood tree that dripped pink petals onto the grass.

Mrs. Shaw was a very strict teacher. For three hours a day, five days a week, she labored at transforming inadequately toilet-trained savages into miniature Presbyterian ladies and gentlemen. She knew that her task was formidable and she had no time for coddling and caressing or otherwise spoiling her unruly charges. Like a litter of puppies, we learned to understand and obey important commands such as "Keep to the right in a single file" and "Sit quietly with your hands folded in your lap." We learned that it was a very bad thing to get caught picking your nose or sucking your thumb. And we learned to raise either one finger or two when we had to go to the bathroom, depending on what it was we had to do when we got there.

We learned these things not because Mrs. Shaw kissed us or rewarded us or made us love her so much we'd want to please her. Nor did she ever hit us or punish us or even raise her voice to us. She was far too dignified a lady to stoop to any of that. She trained us with the calm skill of a lion tamer. Nothing we did ever fazed her. No snotty nose, no outburst of baby tears, no soiled panties ever so much as ruffled the folds of her perfectly starched handkerchief or caused a single hair to slip from the silky net that encased her head. Despite her physical frailness, she was imperious, rock hard on the inside, and we knew it. I feared her for no real reason, but I feared her mightily.

It was at Mrs. Shaw's school that I learned about Jesus. She told us that he was always watching us, every minute of our lives, even when we were asleep. He knew everything we did, everything we said, everything we thought. And even though we learned to sing "Yes, Jesus Loves Me," I didn't feel his love at all.

He was a scary man. I knew what he looked like. Mrs. Shaw showed us plenty of pictures of him and there were plenty more hanging all around the church. Jesus didn't look anything like any of the men I knew. I was afraid to undress or go to the bathroom because Jesus was watching me. I could see him there while I sat on the toilet, his hand raised in silent reproach.

And it was in my first weeks at Mrs. Shaw's school that I learned I was a strange child. "The little Jewish girl," I heard her whisper to another child's mother. "Such a pity about her face. They say the doctors can't do a thing for her."

Why? Why did something have to be done for me? What was wrong with my face? I stood in our living room and examined myself in the full-length mirror on the door of the coat closet. I saw the purple mark--not an angel's loving touch, but something wrong. Something shameful. Something pitiful. With the palm of my own little hand, I rubbed and rubbed, but I couldn't rub it off.

I couldn't face Mrs. Shaw again, couldn't face the other children, couldn't face being "such a pity." So I refused to go back to Westminster Day School. I begged and sobbed and clung to the blankets. But Mommy marched me back there, back across the street to the little school room in the great big church, where I now kept to myself in a corner, peering through the leaded-glass windows at our house across the street, wondering how long it would be before I could go home again.

I was a failure at nursery school. When we had to make lanterns from red construction paper, I couldn't cut the straight lines neatly with my blunt children's scissors. Mrs. Shaw made me do it over and over again, but I never got it right. When we had to play in the rhythm band, I was given sticks to bang together, the lowliest assignment, while p...

"About this title" may belong to another edition of this title.

  • PublisherHarmony
  • Publication date2003
  • ISBN 10 1400047412
  • ISBN 13 9781400047413
  • BindingHardcover
  • Edition number1
  • Number of pages272
  • Rating

Top Search Results from the AbeBooks Marketplace

Stock Image

Davidow, Joie
Published by Harmony (2003)
ISBN 10: 1400047412 ISBN 13: 9781400047413
New Hardcover Quantity: 1
Seller:
The Book Spot
(Sioux Falls, SD, U.S.A.)

Book Description Hardcover. Condition: New. Seller Inventory # Abebooks407543

More information about this seller | Contact seller

Buy New
US$ 64.00
Convert currency

Add to Basket

Shipping: FREE
Within U.S.A.
Destination, rates & speeds
Stock Image

Davidow, Joie
Published by Harmony (2003)
ISBN 10: 1400047412 ISBN 13: 9781400047413
New Hardcover Quantity: 1
Seller:
West Coast Bookseller
(Moorpark, CA, U.S.A.)

Book Description Hardcover. Condition: New. Seller Inventory # A3-613y

More information about this seller | Contact seller

Buy New
US$ 59.99
Convert currency

Add to Basket

Shipping: US$ 4.29
Within U.S.A.
Destination, rates & speeds
Stock Image

Davidow, Joie
Published by Harmony (2003)
ISBN 10: 1400047412 ISBN 13: 9781400047413
New Hardcover Quantity: 1
Seller:
BennettBooksLtd
(North Las Vegas, NV, U.S.A.)

Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.91. Seller Inventory # Q-1400047412

More information about this seller | Contact seller

Buy New
US$ 98.68
Convert currency

Add to Basket

Shipping: US$ 4.13
Within U.S.A.
Destination, rates & speeds