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Nevertheless, Mbatgha, renamed Lenoir by his captors, makes the best of his situation, learning the language of his white masters and using his own personal beauty to his advantage, posing for the likes of Rembrandt and Rubens. It is the central conceit of the novel, in fact, that Lenoir is the model for Reubens's famous Four Heads of a Negro. But Greenhall is interested in more than just revealing the life of a slave; by moving his character from place to place, he also provides an eyewitness commentary on the strange doings of 17th-century Europeans, from a transvestite British sailor to a troupe of Italian actors. Imagine an African Samuel Pickwick caroming from one adventure to the next armed with an oppressed person's clear-eyed understanding of his oppressors, and you'll have a sense of Lenoir, both the character and the book.
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Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.95. Seller Inventory # Q-0944072933