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Whistler was an American expatriate, Wojnarowicz a stranger in his own land, living "in the shadow of the American dream," as he put it, as a hustler, lover, and multimedia artist until his untimely death from AIDS. The New Museum of Contemporary Art, New York, has mounted a retrospective of Wojnarowicz's work, with funding from Versace Classic, a corporate, rather than public, sponsor. Fever serves as the catalog as well as an excellent introduction to the artist's paintings, drawings, photographs, and writings. With no formal training and little support from the art establishment, Wojnarowicz managed to create a body of work that is complex, compelling, and politically engaged in a way that will remain relevant as long as critics posing as public guardians attempt to stifle art's persistent provocation. --Robert Burns Neveldine
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