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Book Description paperback. Condition: Good. Edges worn and some discoloration. Pages clean. A very good reading copy. Seller Inventory # 092004
Book Description Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Seller Inventory # S_400946389
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.25. Seller Inventory # G0813335205I3N00
Book Description Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.25. Seller Inventory # G0813335205I4N00
Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.25. Seller Inventory # G0813335205I3N00
Book Description Couverture souple. Condition: Satisfaisant. Westview Press collection , 1998. 1 volume broché(s) format In-8 assez bon. Seller Inventory # 326105
Book Description xviii, 366p., b/w illus., stiff wrappers. Seller Inventory # 033946
Book Description Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780813335209. Seller Inventory # 9881258
Book Description Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. No notes or highlighting although there are some written references on inside back page. See images. Fantastic book. About the book >.>.> I first met Francis Bacon in the summer of 1963 when I interviewed him for a special issue on Modern Art in Britain for a student magazine I was editing called Cambridge Opinion. Several other artists who particularly interested me, such as Frank Auerbach, Lucian Freud and R. B. Kitaj, also featured prominently in the issue; none of us was aware of it then, but this turned out to be the first time that the views of a group of artists later called the School of London were brought together. Francis was by far the best known, having just had his first retrospective exhibition at the Tate Gallery. I had heard that the easiest way to meet him was simply to wait in the French pub in Soho until he came in. I did just that, standing there for a long time before I found the courage to ask a small man sitting serenely on a bar stool whether he knew Bacon. Seller Inventory # Batch-FM244-VG-6411
Book Description Condition: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00067754451