About the Author:
Mo Hayder has worked as a barmaid, security guard, filmmaker, hostess in a Tokyo nightclub, and teacher of English as a foreign language. She is the author of The Birdman and The Treatment.
Review:
"Hayder skillfully melds an atmosphere of fear and a gripping sense of place in this thriller set on a remote Scottish island owned by Psychogenic Healing Ministries, whose followers the locals believe to be Satanists. A humanoid creature with a long tail has been captured on video, and repeated analysis reveals no hint of technological fraud. But world-weary, thirtysomething hoax buster Joe Oakes is on the case. His history with PHM's former leader, Malachi Dove, spans two decades. Oakes blames faith-healer Dove for his aunt's horrendous death and for duping him into believing he had a deadly tumor. He published an expose, and Dove's threatened retaliatory lawsuit fizzled because the healer was presumed dead. Years later, Oakes finally lands an invitation to Pig Island, home of 30 PHM cultists. It's rather a paradise, except for the occasional smell of putrefying flesh. To Oakes' amazement, isolated on the other side of the island behind a row of pig skulls is none other than Malachi Dove. Whitney Scott
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Another astonishing mutation of the crime thriller . . . [Pig Island] masterfully exposes not only the horror but also the human frailty at the story’s core (Anna Mundow, The Boston Globe)
"At the start of Hayder's profoundly creepy and creepily convincing thriller, hard-bitten journalist Joe Oakes arrives on the west coast of Scotland to visit a reclusive cult on remote Pig Island. Oakes hopes to investigate a supposed half-animal, half-human creature distantly glimpsed in a tourist's film and settle his long-held grudge against the cult's founder, charismatic crackpot Malachi Dove, who has long since withdrawn to his barricaded compound on Pig Island. In the ensuing mayhem, Oakes wins the confidence of Dove's mysterious daughter and learns the hard way that the investigative skills on which he prides himself are flimsy at best. Though gruesome enough to satisfy even the most hardcore horror fan, this rigorously imagined novel is also full of apt (if bleak) detail and graced with a perfect plot twist at story's end. Hayder (The Devil of Nanking) offers both a riveting story and a nuanced, distinctly modern look at secrecy and publicity, belief and skepticism, normal and taboo, (in)sight and blindness. (Mar.)
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