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As in Slow River and Ammonite, Griffith's attention is often on the bodies of her characters--their awareness of skin and muscle, sinew and bone suffuses the action. Griffith closely scrutinizes their deeper inner workings, their emotions and logic, as well. The story is tense and gripping, as a good thriller should be, but the best part of The Blue Place is Aud's fascinatingly familiar search for self. --Therese Littleton
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